Saturday, May 8, 2010

Humankind and Energy


10 years ago, on the occasion of EXPO 2000 in Hannover (Goethe Institut, Germany), there was a cartoon contest dedicated to Humankind and Energy, a theme that is very actual today. In the  first 53 pages of the catalogue there are a series  of essays with titles as 'Humankind and Energy' (Hilman Hoffmann), 'Electricity suppliers and the cartoon' (by Hannes Rieckhoff) , 'A bird's eye view on the cartoon in Western Europe' (Koos van Weringh), 'Comments on the cartoon in eastern  European countries' (Gotthard Brandler), 'Cartoons outside the modern western world: A universal media for local constellations of life' (Dieter Kramer), 'With the stroke right to the point. Some remarks on the political cartoon' (Günter Marquis).






The cartoons are published according to themes, such as Scarcity of Resources/Dependence on Energy, Visions, Environment Protection / Energy Saving, Nuclear Energy, Renewable Energies, Technologie gone mad, Power Symbols, Light, Mobility Extraordinary and some Witty / Peculiar.


Enjoy some cartoons, some very hot today. I 'll leave it to the reader to allocate the themes to the cartoons.

Dmitriy Dorzdov- Russia

Grzegorz Szumowski - Roland

Gholamreza Azimi - Iran

Ivan Kovacik - Slovakia

Mihai Ignat - Romania

Radivoj Gvozdanovic - Croatia

Ross Thomson - Great Britain 

Toso Borkovic - Yogoslavia

Yukio Takahashi - Japan

Learn more:

Cartoonbook file:

Thursday, April 29, 2010

Halis Dokgöz - new cartoon book

Doktor and cartoonist Halis Dokgöz (Turkey) sent us an announcement about his new cartoon book Lineal.
I congratulate him with this publication and when you read the comments below, you'll realize he is a not only an eminent doctor but also a very fine cartoonist.

Learn more:
Halis Dokgöz bio and cartoon gallery at Toonpool
medicalArt

ANNOUNCEMENTS

Halis Dokgoz’s Lineal cartoon book was published by Turkish Medical Association Publications. The book also includes comments from Carlos Amorim, Tan Oral, Huseyin Çakmak, Erdogan Karayel, Rasit Yakali, Umit Kartoglu of cartoonists such as. Dokgoz’s book constitutes a selection of the cartoons since 1985. More than caricatures of medicine, health care environment, physician-patient relations, human rights, child rights, the environment is viewed from a broader perspective on the social life like. Books printed in color on glossy paper and draw the Insider may be obtained from the Turkish Medical Association.
http://ttb.org.tr e-posta: ttb@ttb.org.tr





Who is Halis Dokgoz?


He was born in 1967 in Çorum (Turkey). He graduated from the Medical Faculty of 19 May University in 1989, and graduated from the Forensic Medicine Department of İstanbul Medical Faculty of Istanbul University in 1999. Currently, he is a full-time staff at the Department of Forensic Medicine, at Medical Faculty of Mersin University where he also works as a lecturer.
He has been drawing cartoon since 1985. His first cartoon was published in the “Kılçık” magazine in 1985. His consecutive works were published in the Gırgır, Limon, Çarşaf, Gümgüm, Akrep (Cypro), Hallo (Germany) magazines, and Cumhuriyet, Bulvar, Bizim Gazete, Milliyet, Birgün and Sabah newspapers. The artist continued drawing cartoons for Kılçık, Tıp Dünyası, Sendrom, Hiç, Fesat and Hekim Forumu magazines. He has entered a number of national and international competitions and was aworded twelve prizes. He has participated in many joint and group cartoon exhibitions. He had his first personal exhibition in 1991 at the Second Medical Fair in Ankara. In 1989 his first book “Where the sun doesn't enter” was published. He draws medical illustrations besides his cartoons. He is married and a father of twin boys. His works are published at http://medicalart.tripod.com.


About Halis Dokgoz
Facing the stressed day by day in his medical doctor's office, Halis Dokgoz still finds time to produce excellent cartoons where he interprets his world with humour and refined art. If as doctor Halis Dokgoz takes care the patients body, with humour he analyzes the soul of the human being. Many years I follow and admire his works, through hundreds of Cartoon contests around the world. Admiration that certainly you will have, too, when turning the pages of this book.
So, enjoy it!
Carlos Amorim / Brazil
December 2009

The physicians are like magicians, they know how to bring out healthy rabbits from ailing hats. Humorists, just like physicians, touch with their magic pen nibs wherever they perceive a sore spot.
I know many talented physicians engaged in humor. Most of the time, I see them find joy in the therapeutic environment of humor either due to similarities of humor to their occupation or to find temporary relief from the burden of their holy occupations.
Cartoon, humor with drawing lines, at times look a little scratchy just as the prescriptions of physicians, however, both have the same mission of enabling the recipient enjoy life and be happy.
Now you flip through the pages of the book and have a look at prescriptions written by Halis Dokgöz drawn with lines.
I hope you'll get better soon and enjoy good health and happiness.
Tan Oral, Cartoonist, Turkey

"Cartoon" is a disease. Halis Dokgöz has lived nested with this disease for years. He makes the necessary intervention when the fever increases. Everybody knows that this is a hopeless case and an incurable disease. I hope that this album helps him cope with the disease. I hope you'll get better soon.
Erdoğan Karayel
Editor, Journal of Don Quichotte, Germany

I know Halis Dokgöz since 1985. I have been in communication with him during his university education and after. He has always been a hardworking person. His cartoons were published in Kılçık, a school-magazine and nationwide in Çarşaf Humor Magazine. He has always been a man of principle. I want to quote one of our correspondences published in Çarşaf in 1991:
“Dear Brother Raşit. I will graduate in July and who knows where I will be appointed to. I feel scary and my fear deepens when I think about the common social attitude towards physicians. I think we, the physicians, should try to tell our own position to the society. Therefore, I send you two of my caricatures reflecting my anxiety and thoughts about the situation we experience. I hope you like them.”
My reply was as follows: “Halis Dokgöz, my brotherly and respectful friend, has become a physician. I congratulate him for his success as a smart student of medicine and a caricaturist. I wish a very successful professional life for him in both professions.” (Çarşaf Caricature School, 1991)
Halis has been very successful as an able physician and a cartoonist wherever he was, in Çorum, İzmir, İstanbul and Mersin. He has steadily improved his artistry and this album is a proof of it. I wish a happy life with his wife and children full of drawings. My students have become my teachers now. We are a large family of cartoonists always in solidarity and mutual support. We are proud of our family.
Raşit Yakalı
Cartoonist, Çarşaf Humor Magazine, Turkey

I have encountered Halis’ cartoons in a 1989 album called "Güneşin Girmediği Yere". They were critical of university, health and medicine and he was a medical faculty student. He did not only draw cartoons. He also participated various organizations and exhibitions in whichever cities he happened to be.
I had a chance to meet him personally in 1992 at an exhibition, “Turkish Cypriot Cartoons” during the “Çorum Culture & Art Festival” organized by Municipality of Çorum and civil organizations. In the following years he established “Cartoonists Yahoogroups” which served as a discussion forum among the cartoonists.
I feel his warmth every time I meet or remember him… During our visit to Çorum in 1992 summer it was surprisingly cold in the evenings. Halis and his wife Birsen gave us wool outfits and saved us from misery. And I forgot to give back his blue-white pullover and brought it with me to Cyprus. I still wear his blue-white pullover during cold winter days when I am at my study room to draw cartoons. It reminds me of the warmth of cartoon as arts.
I wish my brother Halis many more years with cartoon. He donated the warmth of blue-white pullover to me and the Turkish Cartoon.
Hüseyin ÇAKMAK
President of Cyprus Turkish Cartoonists Association
Editor of Akrep Humor Magazine

Autopsy Alive
I met Halis in 1989 when he published his first album "Where sun doesn't enter"...
His cartoons were like autopsy of problems, mostly from the medical world... of doctors... of patients...
It's been 25 years...
Halis became an associate professor in forensic medicine... still drawing...
In this new book, he even cuts deeper...
As if he is conducting an autopy alive...
Ümit Kartoğlu
World Health Organisation, Geneva, Switzerland

I recall my childhood. I wished so much to be able to draw cartoon then. My hope of drawing splendid things every time I took a drawing pencil would be succeeded by disappointment. The cartoons I imagined would be about those people I dislike or angry at. Thus, I would try to exaggerate features I found most ugly. I would imagine the teachers who bored me with a large belly and an ugly hooked nose. Once I designed them in my mind, I would think that it was easy to transfer it on a page. It was not be a total failure; the result would be an ugly person with a large belly and a hooked nose, only that it wouldn’t remind the teacher at all! Such hopeless efforts would persuade me to abandon drawing until I regained the courage to take the pencil again. The same cycle would occur each time.
During high school years, the drawings improved. The portrait cartoon resembled the intended person. However at the same time I already learnt that cartoon is an art and required a talent beyond my reach.
MD. Halis Dokgöz’s lines both have artistry and demonstrate a talent of productive survey. The unending tragicomic events of daily medical practice provide him interminable raw material to engrave.
Gencay Gürsoy, Prof.Dr.
The President of Turkish Medical Association, Turkey

Tuesday, April 20, 2010

The Almanach du Dessin de Presse 2010

Article by JMB


The Almanach du Dessin de Presse really amazed me. I did not expect such a book, so big, so full, and so varied. Too much is almost too much! Even for an "optical glutton" like me, it took time to be read in small doses. Indeed, its lay out is really tight (all pages are full up), but obviously this book’s buyer gets plenty in quality and quantity. It's not like those cartoon albums sold for 15 € (or more) which are read in 5 or 6 minutes. Here the price is double but it is amply justified. This wonderful and wide panorama of 2009, as seen from 120 French cartoonists (with few foreigners), is a hardcover book of 192 full color pages, perfectly printed on good paper (it weighs 1,4 Kg!). One must congratulate Nalair, the Feco France president, and J-M Renault, both editors, for the great work they have done. Important note: this French book has full text in English too and it was done with the support of the well known association "Reporters Sans Frontières". The Feco France plans to publish such a book every year, so let us wish this first Almanach du Dessin de Presse the success it deserves.















Learn more:
FECO France
Almanach du Dessin de Presse on Amazon

Cartoonbookfile

Saturday, April 10, 2010

Quotes and Cartoons in Das grosse Lebenshilfe Buch

Sometimes cartoons are used to illustrate books. One of such books is 'Das grosse Diogenes Lebenshilfe Buch' (Diogenes, Zürich, 1979, ISBN 3-257-79034-1, 290 p.). Translated, the title means 'The big Diogenes LifeHelp Book'. It's a very SMALL book with 333 quotes and proverbs about life. This booklet is illustrated with some cartoons by the famous cartoonists Bosc, Chavel, Loriot and Tomi Ungerer.

There is a strange thing in the book on page 34 there is a Bosc cartoon, signed 'Chaval'!


a BIG book

Bosc cartoon, signed Chaval


Tomi Ungerer
proverbs
Chaval
Chaval
Loriot

Bosc

Monday, March 29, 2010

Oil and cartoon by Bayram Hajizadeh

Last week I was very honoured to receive the latest book written and edited by Mr Bayram Hajizadeh, Doctor of Philosophy, Honoured Art Worker of the Azerbaijan Republic and President of the Azerbaijan Cartoonist Union. I knew his previous books were very interesting and this new book is gratifying me a lot again. Not only by the fact that the cartoons in it at are excellent, but also by the concept of the book: a combination of history, art and humor.

The book is devoted to the 15th anniversary of the oil contract signed in Azerbaijan called "The Contract of the Century".

Oil and cartoon cover

In a first part, Mr Hajizadeh writes about the rich history of oil exploration in Azerbaijan from antique times, over Marco Polo, who was the first European to visit the Caucasus, until modern times. "If oil is the Queen, then Baku is her throne", emphasized Winston Churchill at the beginning of the 20th century.


"Our 'friends'" (1919)
In the second part we find the history of cartoons and oil in Azerbaijan.As capitalism was developing rapidly, there was a fertile condition for the formation of the cartoon as an independent genre. We learn that the people skillfully used cartoons and critical satiric drawings to declare their protests and discontents to oil mine owners, state officials and power circles. Foreign occupiers who tried to own Azerbaijan's oil and other natural wealth, were criticized. In the soviet period mostly exposed cartoon subject were shortcomings in the field of oil industry, anarchy prevailed in offices and organisations, office heads and directors, irresponsible state officials and directors of oil wells. The importance of satirical newspapers and magazines such as "Molla Nasreddin" (first issue 1906) and "Kirpi" (Eng. Hedgehog, first issue 1952) is well documented in the book.
Cover of the satiric magazine 'Kirpi' (1952, no 1)

B.Hajizadeh "Molla Nasreddin: -Azerbaijan -
a land of oil - is prospering day by day"
The third part contains the selected cartoons of the Molla Nasreddin cartoon contest 2009.
This contest was devoted to the 103rd anniversary of the first satiric and cartoon magazine in the East and in all Moslim countries - “Molla Nasreddin”. The theme was 'the importance of oil in the world'.

Here is a selection of some top cartoons out of the book:

Veselin Damyanov, Bulgaria

Vahid Jafari, Iran

Slawomir Luczynski, Poland
Shevket Yalaz, Turkey

Julio Angel Carrion Cueva, Peru

Ilya Katz, Israel
Angel Boligan, Mexico

Ferreol Murillo Fuentos, Costa Rica



I thank Mr Hajizadeh again for sending me this very nice book and his great work!

Learn more:
Petroleum Industry in Azerbaijan (Wikipedia)
Bayram Hajizadeh bio
Azercartoon
Some pages out of the book on Azercartoon

Cartoonbook file:



Previous articles on our blog:
World cartoon by Bayram Hajizadeh
Contemporary cartoon of Azerbaijan

Tuesday, March 23, 2010

Turhan Selçuk was drawing for a better world.

Today Jean-Marie sent me an interesting article on Turhan Selçuk.

The text shows well the commitment of this exceptional man, and the impact of his work in the field of graphic arts in Turkey.

Thanks to the authors, Tan Oral and Izel Rozental, to give permission to Jean-Marie, to put it online on our blog.

This is the article:

We lost Turhan Selçuk, a grandmaster of graphic humor. His throne in our world of cartoons will last forever.

Nine years ago, we celebrated Turhan’s 60th anniversary in arts. During the meeting his close friends expressed their feelings and thoughts. I'd like to share once more all I said that day about him:
"This evening I want to point out Turhan Selçuk’s three awards I found most important.

I have the chance to be witness of the last 40 years of his 60 years artistic career. This position gave to me the opportunity to criticize and "to re-start" our subject. I consider ‘temporary cartoon’ as a 20th century art. In fact, it actually belongs to the second half of this century. In the 1950s, short after the World War II, a fresh new line started to comment the new world order. In our country as well as in the world, the first striking examples of this new art emerged simultaneously.
In the 50’s, political and editorial cartoons were already there in a traditional style. I was not involved with political cartoons at that time. Their lines were mediocre. However, with his strong artistic power, Turhan was among the firsts who gave avant-garde examples of this new graphic style.
However, those years our country was experiencing violent struggles for democracy and the cartoonists founded themselves in a hot political task. The usage of the new graphic style as a tool of interaction gave birth to a new synthesis. Political commentary and criticism were highly effective in this new graphic art-line.
This synthesis of a whole new dimension, amazing effects and unique version, brought to Turhan in 1957 his first international award: The Palme d'Or from Bordighera, Italy. The rest bent over with fruit. The called ‘50 Generation’ community collected lots of international awards. In my opinion, that’s Turhan’s first important prize!..

I interviewed once Turhan on the occasion of his 40th year in arts and asked him, "What were the factors who pushed you on this way?” His answer was explanatory: "At the beginning, drawing was a single desire, it could be or not… But then, my resentment against injustice became strong. ‘Graphic humor’ was a powerful tool to reflect my anger on a wider environment. The cartoonist lives under the influence of the incident."

Its influence and power increasing, this 20th century graphic art, dealing with the problems of the people, went down to the society. Turhan Selçuk and ‘the 50 Generation’ were accepted by the public. However, at that day, works defending the interests of the people were not popular. On the contrary, entertaining cartoons and comics were in vogue. This struggle of the lines lasted for years, and the result was another interesting synthesis.
In 1971, this synthesis has brought a new award. During the dark days of March 12 regime, a small ceremony was organized at the Union of Artists of Turkey for Turhan who was nominated as the “People's Artist". I explained the rationale of this award as, “succeeding to make his work accessible to the public when defending the interests of the people..."

Turhan, has always admitted the importance of this award.

I believe this Turhan's most important second prize!..

I asked him once, "If you have the choice to make part of an action that could make live yourself and other people in a better world, what would you choose, cartooning or the action?" His response was as follows: "A better, happier world is a purpose for people, a desire. Of course I would choose the action. But I cannot imagine a world without cartoons.” And he continues, "Does sometimes my lines becomes serious, or what? Sometimes I laugh at my own drawings. I feel bored when my editors are unreactive. But the reaction from my readers relaxes me. That is the greatest reward. "
Yes, I think that this is the third and the most important prize of Turhan!..“

TAN ORAL
Published on Taraf newspaper, the 12th March 2010, translated from Turkish by Izel Rozental

Also read: