■ The Frenchman Sempé has produced a number of drawings of crowds. But for him the important thing is not always in the mass of people, but often in the singularity of a single character.
Sempé : Rien n’est simple (Denoël, Paris 1962) |
Sempé: Women and Children First! (Perpetua, London 1962) |
■ The German artist Hans-Georg Rauch took advantage of crowds by using them as a material.
http://fr.wikipedia.org/wiki/Hans-Georg_Rauch
http://rogallery.com/Rauch/Rauch-bio.html
http://www.hans-georg-rauch.de/espresso/index.html
Rauch : Dessins à regarder de près (Planète, Paris 1969) |
Rauch : Rauchzeichen (Nebelspalter, Rorschach 1969) |
Rauch : La majorité silencieuse (Hachette, Paris 1974) |
■ About Dubout, we can say that from the 20's he produced many drawings showing accumulations of objects or characters.
Dubout : Dubout. 200 dessins (Michèle Trinckvel, Paris 1974) |
He set a unique record with his drawing showing the siege of La Rochelle (1627-1628). Knowing there were 5000 besiegers, he decided to keep strictly to this number. To find out how far he was completing his composition, he wrote down on a blackboard the number of characters terminated.
■ Another example is the work of Jacques Lerouge (http://jacques.lerouge.free.fr/)
Related article:
Cartoons and Crowds - part 1
Learn more about:
Jacques Lerouge
Hans-Georg Rauch
Albert Dubout
Jean-Jacques Sempé
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