I was very happy to receive, last week, a copy of the 2009 edition of "The best of Fragments from France", compiled and edited by Tonie and Valmai Holt. As you can find out on the Bruce Bairnsfather tribute site BB4H4H there are a series of events to come on 29 September and 3 October, to commemorate the 50th anniversary of his death in 1959.
From the beginning I was very enthusiast for the project and spread the news among cartoonists and cartoon lovers. Thanks again to Liza Donnelly, Ludo Goderis, Bert Vanoystaeyen, Jacques Sandron, Jacri, Philippe Bossens ,Kurt Vangheluwe, Cost, Toon Beuckels, Patrick Heymans and Robert to provide us one or more BB tribute cartoons. The cartoons selected for the auction and those that are published in the book can be found on the BB site. Most cartoons that weren't selected for the book will of course be shown on the exhibition in Warneton.
I'll inform you on the events of 29 September and 3 October with an article on our blog later on.
There is a first review of the book on the site of publisher Pen and Sword Books:
Bruce Bairnsfather (BB) was the most famous cartoonist of the First World War and his soldier characters Old Bill, Bert and Alf, faced with sardonic good humour everything that the Germans, the mud and their officers could throw at them. However, Bruce (known by some as ‘The Man Who Won the War’) never received the acclaim that he deserved for the morale boost that his cartoons gave to the troops at the front and to the people back at home. The 50th Anniversary of Bairnsfather’s death on 29 September 2009 offered an opportunity to redress the balance, and acknowledging it in combination with raising funds for Help for Heroes (H4H) seemed to be most appropriate.
The cartoons reproduced in this collection were originally drawn for The Bystander, a popular weekly magazine, in which they appeared each Tuesday throughout most of the Great War. Their effect on the public was totally unexpected, and so dramatic that Bystander sales soared. The organisation, with unerring good judgement, decided it had a winner in Bairnsfather, and published the first 43 of his cartoons in an anthology. It was produced in February 1916, given the name Fragments from France and sold for 1s. On the front cover was a coloured print of The Better ‘Ole which soon became, and was to remain, the most loved of all Bairnsfather’s cartoons. The authors own the original. Sales quickly reached a quarter of a million and a second anthology was published, More Fragments from France. It was described on the title page as ‘Vol II’ and the price was still 1s. The cartoon on the
cover was What time do they feed the sea lions? In this volume The Bystander launched the first of a series of imaginative marketing exercises, similar to modern promotional methods.
The full extent of the proliferation of the cartoons on all manner of products, from playing cards to pottery, is described in our Bairnsfather biography. Soon Still More Fragments from France were clamoured for, and, with an
eye to the future, more the booklet was labelled No. 3 on the cover, Vol III on the title page.
The success of the Fragments magazines was such that edition followed edition in rapid succession and at least eleven editions were published. The covers retained the same cartoon but were reproduced in different colours, both of board and ink — green, blue, red, grey, fawn and mauve. In America Putnam’s issued Nos. I-IV as one volume and parts V and VI separately. Various hard and leather-bound collections were offered for sale by The Bystander, and the drawings were sold separately as prints and “Portfolios” for framing. They were also printed in colour as give-aways for Answers magazine.
Leafing through these pages, the reader will soon understand their tremendous popularity and success which have withstood the test of time.